MITCHELL 16MM TYPE MATTE BOX AND SUNSHADE
Mitchell
Camera Corporation, Glendale, California 1960's - Early 1970's
This 16mm Type
Matte Box and Sunshade, Model I-V-71 was manufactured by
Mitchell for their 16mm Professional
motion picture camera. This unit, mounted on double arms (rods), would have
been positioned in front of the camera's lens to shade unwanted light and to
facilitate the use of 2-inch filters or diffusion discs and a pola screen
(polarizing filter). The unit has
provision for both horizontal and vertical adjustment. Its white finish indicates
it was made for a government, military or scientific application.
Patent No. 1,991,814 was granted to George A. Mitchell on
February 19, 1935 for the matte box's basic design:
Source:
U.S. Patent and Trademark Office
This particular 16mm matte box and sunshade differs from
most that Mitchell manufactured for their 35mm and 65mm cameras, being
significantly smaller in size and having no flexible bellows. Mitchell did,
however, offer a matte box and sunshade model for the16mm Professional that is
equipped with bellows. This example bears a property tag for New Mexico Tech, a
science, engineering and research university located in Socorro, New Mexico. The
character "I" in the model number indicated the matte box was made for
use with Mitchell's 16mm cameras, and that designation can also be found on
viewfinders and some motors, as well. Based
on the Mitchell tag's Glendale, California address, this matte box could have been
manufactured sometime between 1946 and the mid-1970's when Mitchell moved to
Sun Valley. Mitchell's white finishes can
be found on both 35mm and 16mm equipment, and although probably available in
the late 1940's, they came into more widespread use in the late 1950's and early
1960's.
Mitchell's lighter finish arose from the need to reflect harmful
sunlight. The company's standard and more well known darker finish generated
more heat in extreme climate conditions, leading to film damage. Today, almost
all surviving Mitchell cameras, viewfinders, motors and magazines (such as the 400-foot
example shown below), that were originally finished in white enamel, now exhibit
extreme wear and yellowing as a result of the conditions under which they were
used:
This matte box/sunshade appears to have been little used,
if any, which is a rarity when it comes to Mitchell's white-finished equipment.
For size comparison, this 16mm matte box/sunshade is
shown next to one of Mitchell's matte boxes for their 35mm cameras:
16mm 35mm